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The PAGE MENU, in the masthead, provides access to other features on the site. The PAINTINGS ARCHIVE (rightbar) offers a quick, thumbnail portfolio review of all previous paintings and their availability. Click on the image to see the enlargement and price. Please, use the EMAIL page from the masthead menu if you'd like to contact me directly. SUBSCRIBE (top rightbar) to be notified of latest posts.

TAIL WIND

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6X8 oil on canvas panel $100 (see PURCHASING for framing offer)
I’ve just returned from my stay on a friend’s cattle ranch, where I had the opportunity to observe and photograph the cattle being worked by an outfit of cowboys. Of course, I also gathered reference for paintings from all around the ranch.
This rooster was strutting in the yard at daybreak. There was a brisk breeze blowing that fanned the feathers of his tail and blew them forward in this type of display. His plumage was unbelievably brilliant and beautiful.
This sketch of the rooster was my first chance to paint in too long a time. I missed it, and I’m happy to be back in the studio.

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EAGLE’S NEST

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STUDY FOR PRIVATE COMMISSION

I’ve been working on several large painting commissions recently, and don’t have a small daily painting for you today. However, so that those of you who subscribe to this site might know what’s going on in my studio, I decided to show you the process I use to develop a finished painting for a specific commission.

In this case, I was asked to create a painting from the grounds of a beautiful log home that the client has built high above Lake Granite Shoals. The home, which is an absolutely stunning, three-level lodge with porches and gardens surrounding it, is perched on precipice with a breathtaking view of the lake, and eagles actually nest up here, high in the canyon walls.

Rather than requiring a documentary portrait of their gorgeous vacation home, they allowed me to gather reference and propose a more poetic idea for the painting, with no other guidelines than it should in some way depict the beauty of the location, include some aspect of the log home, …and have bluebonnets. I walked all over the grounds, and shot dozens of reference photos, but knew before leaving what I wanted to do. For me the vista from the grounds of Eagle’s Nest and it’s beautiful setting was the most compelling impression, and these lovely oaks offered the perfect tie-in for building the composition.

I prepared the above sketch in Photoshop, by altering the view from this reference photo, and several others. Rather than describe the adaptions, I’ll just let you find them if you’re interested. I was a bit worried that the owner may actually want more of their impressive and dramatic home included, but to my delight their response to the sketch was, “I absolutely LOVE IT!!!” I’ll show you the finished painting, soon.

I leave today for another trip to gather more painting reference from a friend’s cattle ranch. They’ll be branding and doing the spring work, so I’m really looking forward to this experience. I should be back in the studio with another painting for you on Thursday.

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BEACH GLOW • • • SOLD

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SOLD
The illumination of a mammoth bank of clouds by the setting sun, reflected in the quiet surf. A worthy subject for the study of value and hue relationships. This is mostly painted with very grayed hues with the exception of the cloud at the focal center. I wound up putting a lot of paint on here as I kept making the adjustments necessary.

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COCO PALM

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12X16 oil on canvas panel $375
Here’s another one that’s larger than my usual paintings on this blog. I had the time to do it today, so I went for it. I love doing skies. They’re an opportunity to put beautiful subtle color into a painting that few other things will allow. The other thing I really enjoy is direct brushwork. For me, if the image grabs me, and the paint looks good just as paint, I’m usually pretty happy with the result. This is one that has those qualities for me. I hope you can see this better in the enlarged version.

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NOT TULIPS • • • SOLD

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SOLD

This was a lot of fun. I just wanted to put down some beautiful, juicy paint from very direct observation without over-rendering things, which is a tendency I can slide into when I lose touch with the painting. It’s as if my brain thinks that illusionistic rendering makes it art. It reminds me of Manet’s little painting of his pipe, on which he carefully wrote in paint,”This is not a pipe.” Right!

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RED BUD TIME

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24X18 oil on canvas panel         unavailable
Today I decided to have a go at a larger painting, but still try to finish it all in one session. I shot this reference while on the way to meet with a client who wants a painting done on the grounds around their beautiful log home, high above Lake Granite Shoals. I parked on the road and hiked up into the hillside and eventually came upon this view. I did a quick compositional plan from the photo first, and then went after it. It was exhilarating to work large with my big brushes and lots of paint.
My daily painting exercise has definitely raised my confidence level and developed my approach. I managed to get this all in one go, but I’m exhausted. I’ll postpone my judgments on the results until tomorrow, when I’m rested. I can be more objective once I get some distance on the struggle.

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DOWN TIME

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8×6 oil on canvas panel $100 (see PURCHASING for framing offer)
This is about the limit for what I can put into a small painting without becoming overly finicky. I decided to just see what I could do to incorporate a foreground focus, deep background, and sun-filled sky. There are some nice compositional elements at work here that keep this from becoming chaotic. If I do another in this series, I’m ready to simplify the subject.

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BEACH BUDS II • • • SOLD

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SOLD
Based upon things I’ve been learning in doing the other paintings in this series, I wanted to repaint this subject. If you’re interested, you can compare this version to the one from02/29/08. The composition, edges and color have been re-considered in light of realizations made while painting the following subjects in the series. This is one of the most valuable aspects of daily painting. The opportunity to explore a theme in rapid succession can uncover new awarenesses.

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PRIVATE PARADISE • • • SOLD

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SOLD
Let it all go, on a warm, sunny beach somewhere. The location, of course, sets the stage, but it’s the composition and color that tells the story and plays the music. These are such fun to paint. I’m happy to see that folks are enjoying going to these places with me.

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A NAP ON THE BEACH • • • SOLD

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8×6 oil on canvas panel SOLD
There’s danger in trying to paint all those bright colors, but I just couldn’t resist it. I enjoyed putting this composition together. It’s a lie, of course, but rooted in a very pleasant old memory. I hope you can connect to it, too.

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SHELL HUNTER • • • SOLD

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8×6 oil on canvas panel    SOLD
The thing I enjoy about these sun-filled subjects is the freedom to pump up the color. When I’m painting this thickly, the brushstrokes have to be direct. There’s not much opportunity to go back into it and keep refining things. You have to mix the color the way it needs to be, and then just put it down and leave it. First and foremost, I think the value needs to be right. If I keep the lights and darks properly related, I can be fairly free to try any hue that seems good to me. Then it’s a matter of controlling how saturated or grayed the hue needs to be. If you can keep these three things properly related, you can exaggerate for the feeling you want and the result is still believable.

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A PLACE IN THE SUN • • • SOLD

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8×6 oil on canvas panel    SOLD
This is another for my ‘Umbrellas on the Beach’ series. It’s really nice working on a subject like this while a rainy cold-front is blowing outside my studio window. Once I work out the composition and the basic value pattern, I can begin to create the color relationships that evoke in me the sense of ‘being there’. Every painting is a fiction, and the fun is creating the feeling, not the fact. I hope you enjoy it, too.

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BEACH BUDS

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No longer available
I’ve been enjoying doing my landscape studies, but this morning I walked into the studio and wanted to try something new. I have a folder of reference photos I call ‘umbrellas on the beach’. They’re mostly shot with a telephoto, rather surreptitiously, since I prefer the subject not be aware they are being photographed. The value relationships on the beach are tricky, and you can’t just go by a photo because the darks are often way too dark and the lights tend to be either bleached out or over saturated. The only solution is to work outside enough to compensate. I enjoy painting these loose and direct, for the color and composition rather than a finished rendering. So, please, excuse my mess.

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SAN JACINTO AFTERNOON • • • SOLD

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SOLD

This painting has some rather subtle color relationships going on. To get the humid, atmospheric effect that I wanted , I wound up painting the clouds and sky with nothing but yellow and gray. The trees are actually all neutral yellows and oranges, no green. I was very surprised. Even a hint of blue changed the painting away from what I was trying to capture. It’s the luminous foreground shadow that makes it all work for me.

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BLOWN THROUGH • • • SOLD

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SOLD

Puddles still standing on the hilltop, clouds passing over the horizon, breezy and fresh! This was really satisfying for me to paint. I missed the value relationships starting off, and things were looking pretty anemic. I was so fascinated with the patterns in the little oak grove that I had filled it full of sky holes and it just looked awfully spotty and busy. So I piled in more paint trying to make the adjustments by simplifying the tree pattern and strengthening the values. The color also took on a more saturated appearance, the way things look when everything is still wet. I love it. Sometimes it all works out.

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ALMOST SUNSET

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8×6 oil on canvas panel

$89 (see PURCHASING for framing offer)

I’m continuing my studies from sketches with color notes. By working out the composition and value pattern before jumping into paint, I’m freed up to paint more directly and with greater confidence.

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SHORELINE VIEW

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8×6 oil on canvas panel

$89 (see PURCHASING for framing offer)

I’m enjoying working with adapting field sketches and notes to these compositional studies.

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SHADY BLUFF REVISITED

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8×6 oil on canvas panel

$89 (see PURCHASING for framing offer)

Here’s yesterday’s subject, again, but with a change in the shape treatment. In yesterday’s painting, the shaded shapes were dominant. Today, I’ve made the light values predominant. The shift in dominance allows me to work with a different selection of colors, and a whole change in the feeling to the painting. This kind of exercise is very useful to me in learning to balance the elements of my compositions, …and it’s really a lot of fun.

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SHADY BLUFF

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8×6 oil on canvas panel

$89 (see PURCHASING for framing offer)

Another from a field pencil sketch and color notes. These give me a wonderful opportunity to exercise my imagination with both compositional arrangement and color. I enjoy pushing the color a bit to exaggerate the warms and cools to get the effect I’m after. This one features the cool colors in the shade. The colors in the light are intentionally rather flat so as to accent but not compete with the shade colors.

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SUMMER COVE

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8×6 oil on canvas panel
$89 (see PURCHASING for framing offer)
This is one of my studies from a compositional sketch and notes. I hope to be able to be painting and posting more regularly, now. These little studies are a great way to get back in the swing of painting.

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Mighty Muddy Puddle Study • • • SOLD

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SOLD     14×11 oil on canvas panel 

Sorry, couldn’t resist the title. The trick for me in this one was to simplify things enough to get it down to interlocking pattern shapes. It’s amazing what goes on in a mud puddle (he-hee).  I like this painting very much, even though it has its faults.  (They all do.)  But, this was worth the study.  I learned some things, and made a painting out of what I was seeing.  That doesn’t always happen.

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Willow Creek Afternoon

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$89    8×6 oil on canvas panel

I’ve really missed my daily painting exercise! I have to say how much I admire those of you who don’t miss a day! I have no good excuse, because I know that you all have pressing responsibilities in your own lives, and yet you manage to post regularly. You’re my inspiration! Anyway, freinds, I’ve done what I can to juggle things the best I could. The show that I told you I’ve been preparing paintings for opened last night. I was so pleased with the paintings I submitted, and anxious to see them in the gallery. Unfortunately, the space they were assigned was rather dimly lit, and what light there was mostly succeeded in creating a glare, so you could only see them from five yards away in half light. Reality is rarely what we imagine! Oh, well. We pay our dues and keep doing what we love.
Here’s one from a drive into the hill country near my studio. It was such a pleasure to dive into this little painting and push on with making the best paintings I can.

I’m frustrated with eBay at the moment, and re-thinking what I want to do. It seems there’s a lot of very nice work languishing there, lost and awash in a sea of ridiculously low-priced mediocrity. I’m not just being negative, but I’m trying to face the reality of the situation and move in the right direction. Any of you have suggestions, or things you’re trying out?

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Morning Meadow

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not available

30×24 oil on canvas I’m having daily painting withdrawal! I haven’t been able to paint and post recently because I’ve been working to get my paintings ready for a show opening at one of my galleries (Fredericksburg Art Gallery). Paintings must be delivered Monday, and I’m just finishing framing this evening. I thought you may want to see what I’m doing, even though this isn’t a daily painting. This one is without a doubt my favorite.

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Romas • • • SOLD

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SOLD       8×6 oil on canvas panel        
I started this little composition with only the bowl and tomatoes. As I was working on the design I decided it needed something vertical that could nest in there to give some contrast in shape and color. When I put the little cobalt vase in I felt the juice turn on. This was really fun to paint.

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Johnny’s Hill

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$89 8×6 oil on canvas

If you care to, you can read, below, what I posted about this little painting yesterday. It was late and I was tired from the battle. Admittedly, I felt I that I fell short of my expectations for the painting. I often feel that way after a plein air session. But as I wrote yesterday, I decided to wait until today to make a final determination as to its fate. I’ve learned to wait a day before condemning a painting. I’ve yet to do a perfect painting, and they often turn out to have some redeeming qualities after I see them with fresh eyes.

Anyway, today it turned out to be one of the most viewed paintings on the Daily Painters Gallery site! That was a nice encouragement to learn that some people must have enjoyed it, and so, I’ve decided to put it up for auction, after all. I hope it finds a loving home.

Yesterday, I wrote: A quick sketch of the evening view out my studio window. Maybe too quick. I’m not going to put this one up on eBay. In fact I’m going to think about what to do on this tomorrow. Maybe things will look different to me in the morning.

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